Curated by Lucrecia Palacios

Curated by Carla Barbero, assisted by Marcos Krämer

Curated by Lucrecia Palacios

A central artist in contemporary Argentinian sculpture, Aráoz has created this site-specific project exploring new forms of human life in close conjunction with technology.

Curated by Marcos Krämer

Immersed in a personal mythology that fed into both her life and works, Burton used humour and fantasy to seek out the most tenuous, threatening, darkest points of contact between nature and civilization.

Curated by Laura Hakel

Iturralde presents his own particular take on pictorial language and the history of modern painting in small-scale figurative paintings to open up new visual reflections on the acts of painting and looking.

Curated by Lucrecia Palacios

This exhibition celebrating the figure of Sergio De Loof charts this legendary artist’s boundless creativity and his central place in the Porteño underground scene from the 1980s to the early 2000s. De Loof worked at the crossroads of luxury and vulgarity, between the aristocratic palate and popular taste. Environments, installations, costume designs and other ephemeral actions by the artist were specially reconstructed for the show.

Curated by Carla Barbero and Marcos Krämer

The first anthological exhibition of this internationally renowned Argentinian artist, whose work deconstructs the canonical forms of abstract painting, architecture and design through feminisms, queer theory and interspeciesism in her search for alternative futures.

Curated by Jimena Ferreiro

The Museo de Arte Moderno de Buenos Aires presents I am a Saint, the first panoramic exhibition of his work that tells the story of his religious conversion through the images he produced along the way .

Curated by Laura Hakel

Evoking the romantic figure of the artist-inventor, Aizicovich built a series of participatory instruments specifically for this exhibition to try out new ways of resensitising interpersonal communication.

Curated by María Amalia García

This exhibition presents works, letters, texts and photographs that allow us to reconstruct the relationship between Georges Vantongerloo and Ignacio Pirovano and the dialogues of that friendship.