The work of Natacha Tellez is crossed by the study of the subject, not only in its
physical dimension of it but by the poetic drifts that emerge from its capacities
ductile. In her work she actively involves the body as a mediator between the
materials and their rhetorical universes. Sculptural making is then a channel of
transference that allows him to speak of her own history and her memory as
catalyst of sensitive expressiveness. She considers materials research to be
fundamental for the expansion of the language, which in her case has a lot of
translation, where building, covering, protecting, sustaining, take on a plastic dimension.
In that search for strategies, she finds all kinds of objects that bring with them the
power of a symbolic action: fragments of organic or material objects
industrial, soft, memorable, warm, rigid, malleable, perishable, stoic…
She began her training at the Prilidiano Pueyrredón School, choosing the modality
sculpture. She decided to continue her studies in search of her own image.
She attended the Cárcova School, there she carried out her first large-scale projects.
investigating the space and learning to use new materials and techniques that she
would become characteristic in her work: wood, iron and aluminum, as well as the techniques
fitting and welding.
She attended Pájaro Gómez’s workshop. After two years of work and research in his
workshop, she started her art clinic with Tulio de Sagastizábal, where she researched materials
soft materials such as wool, fabric, rubber and she made her first sketches of installations
incorporating nature.
In 2001 she obtained a Mention in sculpture at the National Hall of Visual Arts.
In 2006 she settled in Spain, dedicating herself to designer artistic jewelry, where
She participates in art and design fairs of international scope.
In 2014 she returned to the country and participated in the National Hall with a large-scale work of
plaster and felt. She also decides to resume research and training, participating in the
Cosmos Workshop given by Daniel Jooglar and Bruno Grupalli, investigating new
materials: paper, leather and large-scale collages. She begins work clinic with Leila
Tschopp working with ideas related to tension and the body.
In 2019 his work is selected at the UADE Salon and he carries out the artists program
“”Shared workshop”” at the CRUDO Gallery, Rosario.
In 2020 he presents with CRUDO at the Rosario Contemporary Art Microferia, and
He participates in PopUp, the inaugural exhibition of the new CRUDO location in Rosario.
In 2021 she is selected to the National Salon and participates in the “” ABeLe “” program.
In 2022 she is selected for the second consecutive year in the “”Ex-ABeLe”” program in
CABA and participates in the ARTEBA art fair.
In May 2023 she presents her first solo show “”Listen to the Hand”” with
curated by Leila Tschopp.
She has participated in numerous group exhibitions in Argentina, Spain and Portugal.
She lives and works in Olivos, Buenos Aires. Argentina.