(Buenos Aires, 1985) He started twenty years ago signing Ever and making
graffiti in the streets of his native Buenos Aires, a city that was experiencing the hangover
of a military dictatorship that had lasted eight years and that in those
moments he understood street art as an expression of freedom. He
He moved away from graffiti to begin developing mural work with which
experiments and plays with the symbolic load of him in his confrontation with the
public space.
Currently, Nicolás is developing his work around the
“Dead Natures”, with which through the union of elements he has
found a way to use the image as a social reflection and
anthropological research. He works through traces that he finds in his
most immediate context, result of the social fabric and symbols born
of the coexistence of social, cultural and economic factors. From
soda bottles to religious prints, political symbols, icons
contemporary or something as seemingly innocent as fruits and vegetables
They are part of these compositions that he uses as a bridge to talk about
more complex realities.
Romero’s training in painting and drawing began in 1999 with Ariel
Olivetti and between 2007 and 2008 he studied at the Rojas Cultural Center. In 2014 he is
selected for the Facebook artist program and starting in 2019
participates in the “Work Clinic” study method with the artist Diana
Aisenberg. He has exhibited solo at The Ochi Projects gallery in the
Ángeles, at Varsi Gallery in Rome, Libertad Gallery in Querétaro or Dinámica
Gallery of Buenos Aires, in addition to having participated in other exhibitions
collectives in France, Italy, Holland, South Africa, Austria, Australia, Mexico,
Spain and the United States.
His work has been selected in cultural institutions such as the Fundación
Santander, the Amalita Fortabat Museum, Palais de Glace in Buenos Aires, the
Macro Museum of the city of Rosario or the Biennale of urban interventions
at the CCEC and the Caraffa Museum in Córdoba, Argentina.