(Buenos Aires, 1966) studied Painting at the National School of Fine Arts Prilidiano Pueyrredón and in the studio of Ahuva Szlimowicz.
Between 1994-1995 she was awarded the opportunity to participate in Guillermo Kuitca Studio Program in Fundación PROA, Buenos Aires. In 1999 she participated in the International Artists Residency Program ART/ OMI in New York and in the same year, she received a subsidy for creation. By 2001-2002, she was a recipient of the Fulbright Commission / Fondo Nacional de las Artes Award to participate in the ISCP, International Studio and Curatorial Program in New York. In 2012 she received the Premio Konex a las Artes Visuales in the category for installation and in 2022, she received the Premio Adquisición de Artes Visuales 8M.
In 1997, she creates Solocolor, a workshop concentrated on the subject of color as a foundational substance, and in 2014 Nor full, neither empty: investigations about space, a workshop that was part of the Artists’ program at Universidad Torcuato Di Tella. Some of her main projects include: Bright Ether, Dim Atmosphere, Futuro Museo de Cine (Buenos Aires, 2019); After Before, Galería Vasari (Buenos Aires, 2017); Título de propiedad, En el ejercicio de las cosas, Casa de América (Madrid, 2017); Background, Alejandra Von Hartz Gallery (Miami, 2016); Bellos Jueves, Museo Nacional de Bellas Artes (Buenos Aires, 2014); Air will take this form, Museo de Arte Moderno de Buenos Aires (2013); Far from the sun, Centro Cultural San Martín (Buenos Aires, 2013); Totally Tacitly, Galería Vasari (Buenos Aires, 2012); The eyes sometimes, Alejandra Von Hartz (Miami, 2011); Color on Color, MACBA and Frost Art Museum (Miami, 2011); Situational Essay: Karina Peisajovich and Diego Bianchi, Universidad Torcuato Di Tella (Buenos Aires, 2011); Museo Experimental El Eco, Mexico City (2010); Theories, Centro Cultural Recoleta (Buenos Aires, 2010); All the images of the world. Illuminations: Contemporary 17th, MALBA (Buenos Aires, 2006); Surface Charge at Anderson Gallery, VCU, Anderson Gallery, Richmond, US (2005); Lokalt landskab, Paintbox Extensions (Copenhagen, 2004); The Force at Gale Gates (New York, 2002); Domestic landscape, Casa de América (Madrid, 2002); Lights, Belleza y Felicidad (Buenos Aires, 1999) and Oils at Centro Cultural Borges (Buenos Aires).
In 2009 she participated in the 7th Mercosur Biennial, Grito e Escuta, Porto Alegre, Brasil and in 2004, in the Lodz Biennale in Poland.
Her work is in the collection of the Museo de Arte Moderno de Buenos Aires, MACBA (Buenos Aires) and Museo Macro (Rosario), and in private collections in Argentina and abroad.