Paula Massarutti (La Plata, 1976) is a visual artist, Master in Contemporary Latin American Aesthetics from the National University of Avellaneda, Graduate and Professor in Arts from the National University of La Plata. She also trained at the Artistic Research Center of Buenos Aires. She received the Activate Heritage scholarships to carry out artistic research at the National Museum of Oriental Art, (2021); SCHOLARSHIP Culture, residency in Beijing, China (2019), Creation of the National Endowment for the Arts (2017), Alec Oxenford Collection (2015) to conduct field research in the United Arab Emirates, National Fine Arts Fund of the National Endowment for the Arts (2014). He held the individual exhibitions The future has the shape of a remade ball (2020) UNLP Art Center, The ensemble of the living, Piedras Gallery, Buenos Aires (2018), The living, UNLP Art Center (2017) , The construction companies, UNLP Rectorate (2016), Production line, EAC Montevideo Contemporary Art Center (2015). He participated in the group exhibitions Natural History, Parque de la Memoria (2023), The Waves of Desire, Casa del Bicentenario (2022), Serre-joint, Le point commun, Espace D’art Contemprain, France (2021), Thinking is a fact revolutionary, Bienal Sur, Castagnino-Macro Museum (2021), Tehran International Music Festival, Screening Video Arts, Iran (2019), The new sensitives, MATUCANA 100, Chile (2018), The world fits in a work, Bienal Sur, Gallery Marta Traba, Brazil (2017). He obtained the Rosa Galisteo Provincial Museum of Fine Arts Stimulus Prize, 99th Salón de Santa Fé (2022), 1st Prize (acquisition) Salón Litoral, Municipal Museum of Visual Arts Santa Fé (2021), MMAUP Award, (acquisition) Rafaela National Biennial (2021), 1st Prize (acquisition) at the 72nd National Hall of Rosario, MACRO Museum (2018), Mention in Installations and Alternative Media, 107th National Hall of Visual Arts (2018). She lives and works in Buenos Aires.