The work of Carolina Fusilier (1985, Buenos Aires, Argentina) explores the displacement of anthropogenic perspectives towards non-human sensibilities. She investigates the connections between organic bodies with machine bodies, natural landscapes immersed in domesticity. Whether through video, painting, installation and sound, Carolina imagines intuitive forms of the post-human, speculating on the life of artifacts and technologies in which we are immersed and whose nature remains uncertain. She received the Pollock-Krasner Foundation Grant (2019-2020, USA) and her project ‘Kitchen with a view’ (2019) has been supported by Fundación Jumex (Mexico) and Locust Projects (USA). In 2015 she received the Raul Urtasun-Frances Harley scholarship (The Banff Centre, Canada). She studied at the Universidad del Cine, Buenos Aires, Argentina, (2006-2009) and has completed complementary studies at the Düsseldorf Academy with Rita McBride (2018-2019); Soma, Mexico (2016-2017); Artists Program, Torcuato Di Tella University, Argentina, (2011). She was also part of Open Sessions (2018-2019), a program organized by The Drawing Center (New York, USA). Her solo exhibitions include Clepsidra (Daniela Elbahara, Mexico City; 2022); Kitchen with A View (Locust Projects, Miami, USA 2019), Angel Engines (Natalia Hug Gallery, Colonia, Germany, 2018) and Fenómeno (La Fábrica, Buenos Aires, Argentina, 2014). She recently exhibited her work at institutions such as Sculpture Center (New York, 2018); The Drawing Center (New York, 2019), Centro Cultural Tlatelolco (Mexico City, 2019) and the MAMBA (Museum of Modern Art of Buenos Aires, 2022). Her latest project ‘The Quiet Side’ is a feature film in collaboration with filmmaker Miko Revereza commissioned by ACC Cinema Fund (Asia Culture Center). It has recently been presented at festivals such as Doc-Fortnight MoMa (New York, U.S.), True/False Film Festival (Columbia, U.S.), Open City Film Festival (London, UK), YIDFF (Yamagata International Documentary Film Festival, Japan), Dok-Leipzig (Germany), Black Canvas (Mexico), DMZ Docs (Korea), IDFA (International Documentary Film Festival Amsterdam), Camara Lucida (Ecuador), Pravo Ljudski Film Festival (Sarajevo), BARQ (Architecture Film Festival Barcelona), Images Festival 2022 (Toronto, Canada), 2220 Arts + Archives (Los Angeles, U.S.).