His adherence to geometric abstraction arose in 1960 in his hometown, forming a group with young people influenced at that time by the innovative vision classes taught by Professor Héctor Cartier at the Higher School of Fine Arts (now Faculty) of said city.
Enrollment in this plastic trend lays the conceptual foundations to take part as a teacher in the visual communication career, which was created and conducted by Professor Roberto Rollie at the Higher School of Fine Arts of the National University of La Plata.
Later he will teach courses and seminars on topics of vision, visual communication and expression techniques in different private and official institutions, among which the Ernesto de la Cárcova Higher School of Buenos Aires and the Faculty of Architecture and Urban Planning of the National University of Buenos Aires stand out. The Silver.
It was in 1973 that he defined his plastic proposal, which he called bi-spatial paintings, holding numerous individual and group exhibitions in the country and abroad.
The main museums in the country have works, among which are: National Museum of Fine Arts, Museum of Modern Art, Museo Sívori, Museum of Contemporary Latin American Art (MACLA) and various institutions and private collections in the country and abroad.