{"id":54660,"date":"2025-08-25T13:24:06","date_gmt":"2025-08-25T16:24:06","guid":{"rendered":"https:\/\/museomoderno.org\/nacha-guevara-aqui-estoy-desobediente-fuentes\/"},"modified":"2025-09-19T13:33:21","modified_gmt":"2025-09-19T16:33:21","slug":"nacha-guevara-aqui-estoy-desobediente-fuentes","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/nacha-guevara-aqui-estoy-desobediente-fuentes\/","title":{"rendered":"Nacha Guevara: Aqu\u00ed estoy Desobediente Fuentes"},"content":{"rendered":"\t\t
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HEAVY TANGO, 1991<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Disco [Album]
<\/b>Heavy Tango<\/span><\/i>, 1991
<\/span>Arreglos y direcci\u00f3n musical [Arrangements and musical direction]: Mike Ron Sini y [and] Anel Paz
<\/span>Sello discogr\u00e1fico [Record label]: BMG
<\/span>Photography: Guillermo Monteleone
<\/span>Ilustrador [Illustrations]: Claudio Aboy<\/span><\/p>

1. <\/span>Photograph<\/b> of Nacha Guevara for <\/span>Playboy<\/span><\/i> magazine, 1993
<\/span>Photographer: C\u00e9sar Castro
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

2. <\/span>News article <\/b>\u201cNo me interesa el poder\u201d [\u2018I\u2019m not interested in power\u2019], <\/span>Perfil<\/span><\/i> newspaper, Buenos Aires, 2007
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

3. <\/span>Poster<\/b> for the show <\/span>Que me van a hablar de amor<\/span><\/i> [<\/span>What Do They Know About Love?<\/span><\/i>], Teatro El Nacional, 2002
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

4. <\/span>News article<\/b> \u201cSer revolucionario es hoy sonre\u00edr y mirar a los ojos\u201d [\u2018Nowadays, being revolutionary means smiling and looking people in the eye\u2019], <\/span>Intervi\u00fa<\/span><\/i> magazine, Barcelona, 17 June 2002
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

5. <\/span>Sticker<\/b> from the show <\/span>Nacha 100 %. Del Di Tella al 2000<\/span><\/i> [<\/span>100% Nacha: From the Di Tella to 2000<\/span><\/i>], Discoteca Paladium, 1988
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

6. <\/span>News clipping<\/b> \u201cHay muchas formas de ser combativa\u201d [\u2018There are many ways to be combative\u2019], <\/span>Clar\u00edn<\/span><\/i> newspaper, Buenos Aires, 1986
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

7. <\/span>News article <\/b>\u201cLa se\u00f1ora Robinson encontr\u00f3 gran actriz\u201d [\u2018Mrs Robinson finds a great actress\u2019], <\/span>\u00c1mbito financiero<\/span><\/i> newspaper, Buenos Aires, 2005
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

8. <\/span>News article<\/b> \u201cHeavy Tango. S\u00f3lo Nacha\u201d [\u2018Heavy Tango. Pure Nacha\u2019], <\/span>Cr\u00f3nica<\/span><\/i> newspaper, Buenos Aires, 13 May 1992
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

9. <\/span>News clipping<\/b>, undated, 2008
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

10. <\/span>Photograph <\/b>of Nacha Guevara, undated, 1991
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

11. <\/span>News clipping<\/b>, \u201cNacha Guevara salva las aves contaminadas\u201d [\u2018Nacha Guevara rescues birds from contamination\u2019], <\/span>Caras<\/span><\/i> magazine, Buenos Aires, 1993
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

12. <\/span>News article<\/b> \u201cNacha Guevara y Tita Merello formaron un d\u00fao para grabar viejos tangos con el ritmo de rock\u201d [ \u2018Nacha Guevara and Tita Merello come together to record old tango with a twist of rock\u2019], <\/span>Cr\u00f3nica<\/span><\/i> newspaper, 1991
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

13. <\/span>News article<\/b> \u201cNacha Guevara. El tango pesado\u201d [\u2018Nacha Guevara: Heavy tango\u2019], <\/span>Perfil<\/span><\/i> newspaper, Buenos Aires, 8 May 1992
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

14. News article <\/b>\u201cLa mujer de los mil rostros\u201d [\u2018The woman of a thousand faces\u2019], <\/span>Teleclic<\/span><\/i> magazine, Buenos Aires, 23 August 1993
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

15. <\/span>News article<\/b> \u201cLa misma Nacha de siempre\u201d [\u2018The same old Nacha as always\u2019], <\/span>Infobae<\/span><\/i> newspaper, Buenos Aires, 23 January 2003
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

16. <\/span>Photograph <\/b>of a vandalised mural used on the cover of the album<\/span> Voy a cantar lo que se me canta<\/span><\/i> [<\/span>I\u2019ll sing whatever I please<\/span><\/i>], Abasto, Buenos Aires, 2023
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

17. <\/span>News article<\/b> \u201cSolo de Nacha\u201d [\u2018Nacha\u2019s Solo\u2019], <\/span>Playboy<\/span><\/i> magazine, 1993
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

18. <\/span>Photograph <\/b>of Nacha Guevara, undated
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

19. <\/span>News article<\/b> \u201cUn transgresor es un talentoso o un mamarracho\u201d [\u2018A transgressor is either a talent or a hack\u2019], undated, 1991
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

20. Cover<\/b> of <\/span>Playboy<\/span><\/i> magazine, Buenos Aires, 1993
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

21. <\/span>Front page<\/b> of the \u2018Entertainment\u2019 section of <\/span>Clar\u00edn<\/span><\/i> newspaper, Buenos Aires, 6 February 1996
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

22. <\/span>Photograph <\/b>of Nacha Guevara for<\/span> Intervi\u00fa<\/span><\/i> magazine, Barcelona, 2002
<\/span>Photographer: Luis Malibr\u00e1n
<\/span>Courtesy of Nacha Guevara<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

HEAVY TANGO, 1991 Disco [Album]Heavy Tango, 1991Arreglos y direcci\u00f3n musical [Arrangements and musical direction]: Mike Ron Sini y [and] Anel PazSello discogr\u00e1fico [Record label]: BMGPhotography: Guillermo MonteleoneIlustrador [Illustrations]: Claudio Aboy 1. Photograph of Nacha Guevara for Playboy magazine, 1993Photographer: C\u00e9sar CastroCourtesy of Nacha Guevara 2. News article \u201cNo me interesa el poder\u201d [\u2018I\u2019m not interested […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-54660","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=54660"}],"version-history":[{"count":6,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54660\/revisions"}],"predecessor-version":[{"id":54666,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54660\/revisions\/54666"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=54660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=54660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=54660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}