{"id":54647,"date":"2025-08-21T17:08:20","date_gmt":"2025-08-21T20:08:20","guid":{"rendered":"https:\/\/museomoderno.org\/nacha-guevara-aqui-estoy-vuelvo-fuentes\/"},"modified":"2025-09-19T16:50:22","modified_gmt":"2025-09-19T19:50:22","slug":"nacha-guevara-aqui-estoy-vuelvo-fuentes","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/nacha-guevara-aqui-estoy-vuelvo-fuentes\/","title":{"rendered":"Nacha Guevara: Aqu\u00ed estoy Vuelvo Fuentes"},"content":{"rendered":"\t\t
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LOS PATITOS FEOS [THE UGLY DUCKLINGS]<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Disco [Album]
<\/b>Los patitos feos<\/span><\/i> [<\/span>The Ugly Ducklings<\/span><\/i>], 1984
<\/span>Arreglos y direcci\u00f3n [Arrangements and musical direction]: Alberto Favero
<\/span>Sello discogr\u00e1fico [Record label]: CBS
<\/span>Direcci\u00f3n art\u00edstica [Artistic direction]: Vicente Sardelich Brian
<\/span>Dise\u00f1o gr\u00e1fico [Graphic design]: Luis Grisutti
<\/span>Fotograf\u00eda de contratapa [Back cover photography]: C\u00e9sar Lucas<\/span><\/p>

1. <\/span>Front page<\/b> of <\/span>Clar\u00edn<\/span><\/i> newspaper, Buenos Aires, 31 October 1983
<\/span>Courtesy of the microfilm archives of the Biblioteca del Congreso de La Naci\u00f3n<\/span><\/p>

2. Cover<\/b> of <\/span>Siete d\u00edas<\/span><\/i> magazine, Buenos Aires, January 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

3. <\/span>News article<\/b> \u201cPara que la canci\u00f3n no se haga cenizas\u201d [\u2018So song does not turn to ashes\u2019], <\/span>Hoy<\/span><\/i> newspaper, La Plata, 28 July 1987
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

4. <\/span>Photograph <\/b>of Nacha Guevara, ca. 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

5. <\/span>News interview<\/b> \u201cNacha Guevara. \u2018Vuelvo a cantarle a la esperanza\u2019\u201d [\u2018Nacha Guevara, \u201cI\u2019m back to singing of hope\u201d\u2019], <\/span>Clar\u00edn<\/span><\/i> newspaper, Buenos Aires, 4 December 1983
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

6. <\/span>News article<\/b> \u201cNacha Guevara anunci\u00f3 en Granada su vuelta a Argentina despu\u00e9s de 10 a\u00f1os de exilio\u201d [\u2018From Granada, Nacha Guevara announces her return to Argentina after 10 years in exile\u2019], <\/span>Ideal<\/span><\/i> newspaper, Andaluc\u00eda, 4 December 1983
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

7. <\/span>Front page<\/b> of <\/span>La Voz del Interior<\/span><\/i> newspaper, C\u00f3rdoba, 10 December 1983
<\/span>Courtesy of the newspaper archives of the Biblioteca del Congreso de La Naci\u00f3n<\/span><\/p>

8. <\/span>Photograph<\/b> of Nacha Guevara with Federico Peralta Ramos at the premiere of\u00a0Eva: El gran musical argentino<\/em>\u00a0[Eva: The Great Argentine Musical], 1986
<\/b>Courtesy of Nacha Guevara<\/span><\/p>

9. <\/span>Photograph<\/b> of Nacha Guevara at a human rights rally, Buenos Aires, 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

10. <\/span>Advertising poster<\/b> for the show <\/span>Nacha Guevara, aqu\u00ed estoy<\/span><\/i> [<\/span>Nacha Guevara, I\u2019m Still Here<\/span><\/i>], 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

11. <\/span>News article \u201c<\/b>Nacha Guevara de regreso a su pa\u00eds\u201d [\u2018Nacha Guevara returns to her country\u2019], undated
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

12. <\/span>Ballot<\/b> for the Uni\u00f3n C\u00edvica Radical [Radical Civic Union], 30 October 1983<\/span><\/p>

13. <\/span>News article<\/b> \u201cQuedate, Nacha\u201d [\u2018Stay, Nacha\u2019], <\/span>Picadillo Circo<\/span><\/i> magazine, 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

14. <\/span>Photograph<\/b> of Nacha Guevara with former President Ra\u00fal Alfons\u00edn, with a signed dedication, 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

15. <\/span>News article<\/b> \u201cEl Music-Hall argentino: Antes y despu\u00e9s de Nacha\u201d [\u2018Argentine music hall: before and after Nacha\u2019], undated
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

16. <\/span>News article<\/b> \u201cAlt\u00edsima calidad en <\/span>Aqu\u00ed estoy<\/span><\/i> de la Guevara\u201d [\u2018Highest quality in Guevara\u2019s <\/span>I\u2019m Still Here<\/span><\/i>], <\/span>Tiempo Argentino<\/span><\/i> newspaper, La Plata, 22 March 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

17. <\/span>Photograph<\/b> of Nacha Guevara in the studio while recording the album <\/span>Los patitos feos<\/span><\/i> [<\/span>The Ugly Ducklings<\/span><\/i>], 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

18. <\/span>Clipping of the programme<\/b> for the show <\/span>Nacha Guevara, aqu\u00ed estoy<\/span><\/i> [<\/span>Nacha Guevara, I\u2019m Still Here<\/span><\/i>], 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

19. <\/span>Photograph <\/b>of Nacha Guevara, <\/span>La Semana<\/span><\/i> magazine, Madrid, 21 November 1985
<\/span>Photographer: Rudy Hanak
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

20. <\/span>News article<\/b> \u201cNacha Guevara. El personaje de la semana\u201d [\u2018Nacha Guevara: Personality of the week\u2019], <\/span>El Observador<\/span><\/i> newspaper, Montevideo, 9 December 1983
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

21. <\/span>Photograph<\/b> of Nacha Guevara in the show <\/span>Aqu\u00ed estoy<\/span><\/i> [<\/span>I\u2019m Still Here<\/span><\/i>, Teatro Lola Membrives, 1984
<\/span>Courtesy of Nacha Guevara<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

LOS PATITOS FEOS [THE UGLY DUCKLINGS] Disco [Album]Los patitos feos [The Ugly Ducklings], 1984Arreglos y direcci\u00f3n [Arrangements and musical direction]: Alberto FaveroSello discogr\u00e1fico [Record label]: CBSDirecci\u00f3n art\u00edstica [Artistic direction]: Vicente Sardelich BrianDise\u00f1o gr\u00e1fico [Graphic design]: Luis GrisuttiFotograf\u00eda de contratapa [Back cover photography]: C\u00e9sar Lucas 1. Front page of Clar\u00edn newspaper, Buenos Aires, 31 October 1983Courtesy […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-54647","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=54647"}],"version-history":[{"count":8,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54647\/revisions"}],"predecessor-version":[{"id":54707,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54647\/revisions\/54707"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=54647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=54647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=54647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}