{"id":54598,"date":"2025-08-25T12:36:27","date_gmt":"2025-08-25T15:36:27","guid":{"rendered":"https:\/\/museomoderno.org\/nacha-guevara-aqui-estoy-el-di-tella-fuentes\/"},"modified":"2025-09-19T16:34:29","modified_gmt":"2025-09-19T19:34:29","slug":"nacha-guevara-aqui-estoy-el-di-tella-fuentes","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/nacha-guevara-aqui-estoy-el-di-tella-fuentes\/","title":{"rendered":"Nacha Guevara Canta [Nacha Guevara Sings]"},"content":{"rendered":"\t\t
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NACHA GUEVARA CANTA [NACHA GUEVARA SINGS]<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Disco [Album]
<\/b>Nacha Guevara canta<\/span><\/i> [<\/span>Nacha Guevara Sings<\/span><\/i>], 1968
<\/span>Arreglos y direcci\u00f3n musical [Arrangements and musical direction]: Roberto Camale\u00f3n Rodr\u00edguez
<\/span>Sello discogr\u00e1fico [Record label]: Olympia
<\/span>Dise\u00f1o gr\u00e1fico [Graphic design]: Jorge de la Vega
<\/span>Photography: Oscar Bony<\/span><\/p>

1. Photograph<\/b> of Nacha Guevara at the Instituto Di Tella, 1968
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

2. <\/span>News article<\/b> \u201cNacha Guevara. Cuando el canto es compromiso y el folk leg\u00edtimo\u201d [\u2018Nacha Guevara: When singing is commitment and folk music is legitimate\u2019], <\/span>In\u00e9dito<\/span><\/i> magazine, Buenos Aires, 1968
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

3. <\/span>Photograph <\/b>of Nacha Guevara and Norman Briski. Instituto Di Tella, 1969
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

4. <\/span>Magazine cover<\/b> of Nacha Guevara, modelling for <\/span>Para ti<\/span><\/i> magazine, Buenos Aires, ca. 1965
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

5. <\/span>News article <\/b>\u201cNacha Guevara, show para se\u00f1oras menos gordas\u201d [\u2018Nacha Guevara: A show for not-so-plump women\u2019], <\/span>C\u00f3rdoba<\/span><\/i> newspaper, C\u00f3rdoba, December 1966
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

6. <\/span>Photograph from the press interview<\/b> \u201cMata a tu padre\u201d [\u2018Kill your father\u2019] <\/span>Extra<\/span><\/i> magazine, Buenos Aires, 1968
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

7. <\/span>News article<\/b> \u201cFrancia bajo el terror\u201d [\u2018France in terror\u2019], <\/span>La Naci\u00f3n<\/span><\/i> newspaper, Buenos Aires, 25 May 1968
<\/span>La Naci\u00f3n<\/em> Newspaper Archive, Digital Culture, Universidad Diego Portales\u00a0<\/span><\/p>

8.\u00a0<\/span>News article<\/b> \u201cNacha Guevara, en el Regina: Ingenio mal enfocado\u201d [\u2018Nacha Guevara at the Regina Theatre: Misguided Wit\u2019], <\/span>Clar\u00edn<\/span><\/i> newspaper, Buenos Aires, 6 October 1968
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

9. <\/span>News article<\/b> \u201cNacha Guevara o la \u2018Nueva Canci\u00f3n\u2019\u201d [\u2018Nacha Guevara or \u201cThe New Song\u201d\u2019], <\/span>C\u00f3rdoba,<\/span><\/i> newspaper, C\u00f3rdoba, 27 November 1968
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

10. <\/span>News article<\/b> \u201cNacha Guevara: La intrusa del Maipo\u201d [\u2018Nacha Guevara: The intruder at the Maipo Theatre\u2019], <\/span>Programa<\/span><\/i> magazine, Buenos Aires, 16 July 1970
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

11. <\/span>News article<\/b> \u201cCruel Nacha Guevara: Teatro, canciones y modelos\u201d [\u2018Cruel Nacha Guevara: Theatre, songs and models\u2019], <\/span>Cr\u00f3nica<\/span><\/i> newspaper, Buenos Aires, 1965\u00a0
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

12. <\/span>Programme for the show<\/b> Nacha de noche<\/span><\/i> [<\/span>Nacha by Night<\/span><\/i>], Nacha Guevara\u2019s first show as a singer, Centro de Experimentaci\u00f3n Audiovisual del Instituto Torcuato Di Tella, 1968
<\/span>Cover for the single<\/b> Anastasia querida<\/span><\/i> [<\/span>Beloved Anastasia<\/span><\/i>], released by the Olympia music label, arrangements and musical direction by Alberto Favero, photography by Humberto Rivas
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

13. <\/span>News article<\/b> \u201cNacha Guevara: \u2018piedra de esc\u00e1ndalo\u2019 o una fina catarata de baladas\u201d [\u2018Nacha Guevara: A source of scandal, or a magnificent stream of ballads\u2019], undated
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

14.\u00a0<\/span>News article<\/b> \u201cViruela boba en el Di Tella\u201d [\u2018Mild chickenpox at the Di Tella\u2019], <\/span>La Raz\u00f3n<\/span><\/i> newspaper, Buenos Aires, 1966
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

15. <\/span>Photograph <\/b>of Nacha Guevara and Jorge de la Vega, ca. 1968
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

16. <\/span>Caricature and text<\/b> by Geno D\u00edaz, ca.1974\u00a0
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

17. <\/span>News article <\/b>\u201cUn espect\u00e1culo amateur, original y expresivo llega al Di Tella\u201d [\u2018An original and expressive amateur show comes to the Di Tella\u2019], <\/span>La Raz\u00f3n<\/span><\/i> newspaper, Buenos Aires, 17 June 1966
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

18. <\/span>News article <\/b>\u201cMensaje de Ongan\u00eda: Haremos una verdadera revoluci\u00f3n\u201d [\u2018Message from Ongan\u00eda: We will carry out a true revolution\u2019], <\/span>Cr\u00f3nica<\/span><\/i> newspaper, Buenos Aires, 1 July 1966
<\/span>Courtesy of the newspaper archive of the Biblioteca Nacional \u201cMariano Moreno\u201d\u00a0<\/span><\/p>

19. <\/span>News article<\/b> \u201cNacha Guevara: <\/span>Enfant terrible<\/span><\/i>\u201d, <\/span>Femirama<\/span><\/i> magazine, Buenos Aires, July 1972\u00a0
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

20. <\/span>News article <\/b>about <\/span>Mens sana in corpore sano, Gente<\/span><\/i> magazine, Buenos Aires, 1966
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

21. <\/span>News article<\/b> \u201cNacha Guevara dice cosas feas\u201d [\u2018Nacha Guevara says horrible things\u2019], <\/span>La Raz\u00f3n<\/span><\/i> newspaper, Buenos Aires, 29 January 1972
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

22. <\/span>Caricature and text<\/b> by Geno D\u00edaz, ca.1974
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

23. <\/span>Photograph<\/b> of Nacha Guevara and Alberto Favero, rehearsing for the show <\/span>El Maipo est\u00e1 piantao<\/span><\/i> [<\/span>The Maipo Has a Screw Loose<\/span><\/i>], 1970
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

24.\u00a0<\/span>News article<\/b> \u201cUniversidad: Procesan a 135 alumnos\u201d [\u2018University: 135 students prosecuted\u2019], <\/span>\u00daltima hora<\/span><\/i> newspaper, Buenos Aires, 30 July 1966
<\/span>Courtesy of the newspaper archive of the Biblioteca Nacional \u201cMariano Moreno\u201d<\/span><\/p>

25. <\/span>News article <\/b>\u201cNueve censores en busca de funci\u00f3n\u201d [\u2018Nine censors in search of a role\u2019], <\/span>Siete d\u00edas ilustrados<\/span><\/i> magazine, Buenos Aires, 13 July 1970
<\/span>Courtesy of Nacha Guevara<\/span><\/p>

26. <\/span>Press photo of the ‘Di Tella cohort’<\/b>, 1968<\/span>
<\/span>From left to right: Jorge de la Vega, Ricardo Kleinman, Nicol\u00e1s Garc\u00eda Uriburu, Alejandro Vignati, Hayd\u00e9e Padilla, Litto Nebbia, Nacha Guevara, Pedro Puj\u00f3, Javier Arroyuelo, Pablo Meseje\u00e1n and Delia Cancela<\/span>
<\/span>Below: Rafael L\u00f3pez-S\u00e1nchez y Jorge \u00c1lvarez
<\/span>Courtesy of Nacha Guevara<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

NACHA GUEVARA CANTA [NACHA GUEVARA SINGS] Disco [Album]Nacha Guevara canta [Nacha Guevara Sings], 1968Arreglos y direcci\u00f3n musical [Arrangements and musical direction]: Roberto Camale\u00f3n Rodr\u00edguezSello discogr\u00e1fico [Record label]: OlympiaDise\u00f1o gr\u00e1fico [Graphic design]: Jorge de la VegaPhotography: Oscar Bony 1. Photograph of Nacha Guevara at the Instituto Di Tella, 1968Courtesy of Nacha Guevara 2. News article \u201cNacha […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-54598","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=54598"}],"version-history":[{"count":7,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54598\/revisions"}],"predecessor-version":[{"id":54678,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/54598\/revisions\/54678"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=54598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=54598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=54598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}