{"id":53612,"date":"2025-08-05T17:09:21","date_gmt":"2025-08-05T20:09:21","guid":{"rendered":"https:\/\/museomoderno.org\/sofia-rossa\/"},"modified":"2025-08-11T15:23:59","modified_gmt":"2025-08-11T18:23:59","slug":"sofia-rossa","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/sofia-rossa\/","title":{"rendered":"Sof\u00eda Rossa"},"content":{"rendered":"\t\t
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Sof\u00eda Rossa\n\n\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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RAFAELA, SANTA FE PROVINCE
\nARTIST AND TEACHER\n\n<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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La sin sangre [The Bloodless One]\n\n\n\n\n<\/i>\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u201cDuring my participation in the Casa Alberto Heredia Residency Programme, I plan to develop a project focusing on the study of artistic practices that address violence and the diverse representations of this subject from a contemporary perspective. Alberto Heredia\u2019s drawings will provide me with a starting point, and I will take advantage of the works he donated to the museum and its archives. While many of these pieces are critical of forms of repression and power seen in the 20th century, my interest lies in the foundation they provide for an investigation of current representations of violence, as well as for generating connections with other artists in the museum\u2019s collection and with contemporary productions from other regions. This project will take a critical approach and provide an incisive look at the wounds inflicted to the Argentine political body, with the aim of expanding these representations into the present day, marked by new forms of control, silencing and resistance. I would like to move away from a narrative focused exclusively on the dictatorship in order to raise new questions, such as: Which bodies are marked by violence today? Which languages allow it to be expressed or resisted? What marks \u2013 symbolic, sensory or tangible \u2013 does it leave? While one of my objectives is to open a space for reflecting on historical memory, I would also like to establish an inter-generational dialogue connecting works by artists from different regions of the country, to establish links between different periods, languages, contexts and generations. During the residency, I will make a selection of works and fragments that can be used as the basis for a series of drawings and a publication that takes the format of a fanzine. This small volume will bring together reflections about the images I work with as well as graphic interventions I make in them, understanding that drawing is a tool for thought. The process will also include drawings that will be produced as a means of visualising those things that one cannot always express through written language. These interventions will aim to underscore issues I consider relevant and to open up new readings from a personal perspective. In short, this project is a space for research, production and critical thinking that, through the overlaps between the archives, memory and contemporary practices, looks to activate a sensitive perspective of violence in its many forms. And, through the use of drawing as an expanded practice, I will construct collective meanings that broaden our ways of reading, narrating, and resisting.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Sof\u00eda Rossa<\/strong> was born in 1994 in Rafaela, where she continues to reside and work. She is a teacher and graduated with a degree in Fine Arts from the Universidad Nacional de Rosario. Since 2020, she has participated in different training opportunities, such as clinics at the Museo Basilio Donato, workshops at the Universidad Torcuato Di Tella and the Centro Cultural Kirchner, and the Artists Programme at Galer\u00eda LAVA. Her solo shows include: <\/span>Mantequita<\/span><\/i> [<\/span>Wimp<\/span><\/i>] (PASTO Galer\u00eda, 2024), <\/span>Punkies y sirenas en un mar de tierra<\/span><\/i> [<\/span>Punks and Mermaids in a Sea of Earth<\/span><\/i>] (LUOGO Galer\u00eda, 2023), <\/span>Fantasma<\/span><\/i> [<\/span>Ghost<\/span><\/i>] (Museo H\u00e9ctor Borla, 2022) and <\/span>Quien no quiere ser PUNK<\/span><\/i> [<\/span>Who Doesn\u2019t Want To Be PUNK<\/span><\/i>] (LAVA Galer\u00eda, 2020). Her awards and distinctions include the Artwork Prize at arteBA (2023), the First Acquisition Prize at the Rafaela Biennale (2024) the Jamaica National Salon Prize (2022) and the Rehabitar Project (2021). She has participated in group exhibitions in Argentina and Peru, including national biennials at the Museo Provincial de Bellas Artes Franklin Rawson and the Museo Municipal de Artes Dr. Urbano Poggi, as well as at the Centro Cultural Kirchner, the Museo Sor Josefa D\u00edaz y Clucellas, Macro and Galer\u00eda Fisura in Lima. As a cultural manager, she was co-organiser of La Magn\u00e9tica (2019) art fair and founded SeriClub, a screen-printing workshop where she developed projects such as NUKE, Azote and 40 Serigraf\u00edas, all selected in provincial calls for applications. Her work can be found in public and private collections in Argentina and Chile. She is currently a staff member at LUOGO gallery.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Sof\u00eda Rossa RAFAELA, SANTA FE PROVINCE ARTIST AND TEACHER SUBMITTED PROJECT La sin sangre [The Bloodless One] \u201cDuring my participation in the Casa Alberto Heredia Residency Programme, I plan to develop a project focusing on the study of artistic practices that address violence and the diverse representations of this subject from a contemporary perspective. Alberto […]<\/p>\n","protected":false},"author":7,"featured_media":53376,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-53612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/53612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=53612"}],"version-history":[{"count":6,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/53612\/revisions"}],"predecessor-version":[{"id":53618,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/53612\/revisions\/53618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media\/53376"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=53612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=53612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=53612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}