{"id":51918,"date":"2025-05-23T12:45:18","date_gmt":"2025-05-23T15:45:18","guid":{"rendered":"https:\/\/museomoderno.org\/?p=51918"},"modified":"2025-05-29T18:20:26","modified_gmt":"2025-05-29T21:20:26","slug":"esto-es-teatro-11","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/esto-es-teatro-11\/","title":{"rendered":"Esto es Teatro 11"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"51918\" class=\"elementor elementor-51918\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b32e1f4 e-flex e-con-boxed e-con e-parent\" data-id=\"b32e1f4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e81e562 elementor-widget elementor-widget-image\" data-id=\"e81e562\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1560\" height=\"2560\" src=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-scaled.jpg\" class=\"attachment-full size-full wp-image-52130\" alt=\"Alejandro Urdapilleta (Montevideo, Uruguay, 1954 \u2013 Buenos Aires, 2013) was a radiant light\nin the theatre scene that emerged following Argentina\u2019s return to democracy in 1983. He was\none member of a memorable trio, with Batato Barea and Humberto Tortonese. At once\nmonstrous and poetic, his acting was extraordinarily powerful, inspiring laughter and terror in\nlarge and equal doses. In 1991, he played Polonius in director Ricardo Bart\u00eds\u2019s version of\nHamlet, prompting Batato Barea to say \u2018Traitor. This is the kind of theatre we swore we\u2019d\nnever do.\u2019 Urdapilleta carried on regardless, staging everything from Thomas Bernhard\u2019s\nAlmuerzo en casa de Ludwig W. [Lunch at Ludwig W.\u2019s], directed by Roberto Villanueva, to\nKing Lear or Mein Kampf, directed by Jorge Lavelli, in the San Mart\u00edn Theatre\u2019s Mart\u00edn\nCoronado Hall. He wrote and drew and worked in film and television and across all the\ntheatre circuits. As the author Liliana Viola puts it, \u2018His arrival at the San Mart\u00edn Theatre or\nthe Cervantes Theatre after Parakultural or Ave Porco did not institutionalise queerness. Nor\ndid he sell-out by moving into television. He took his luminous, incendiary and even\nscorching fire onto every board he trod.\u2019 The more than sixty notebooks he left behind, kept\nby his friends Rita Cortese, Horacio Dabbah, Alejandra Flechner and Cecilia Roth, contain\ndrawings, thoughts, performance notes and even shopping lists. To read them is to see him\nacting in other ways.]\nA special thank you to Liliana Viola and Horacio Dabbah for their collaboration on this section.\" srcset=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-scaled.jpg 1560w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-183x300.jpg 183w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-624x1024.jpg 624w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-768x1260.jpg 768w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-936x1536.jpg 936w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/11-Alejandro-Urdapilleta-1248x2048.jpg 1248w\" sizes=\"(max-width: 1560px) 100vw, 1560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-51918","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/51918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=51918"}],"version-history":[{"count":13,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/51918\/revisions"}],"predecessor-version":[{"id":52184,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/51918\/revisions\/52184"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=51918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=51918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=51918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}