{"id":51866,"date":"2025-05-23T12:15:01","date_gmt":"2025-05-23T15:15:01","guid":{"rendered":"https:\/\/museomoderno.org\/?p=51866"},"modified":"2025-05-29T17:53:41","modified_gmt":"2025-05-29T20:53:41","slug":"esto-es-teatro-1","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/esto-es-teatro-1\/","title":{"rendered":"Esto es Teatro 1"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"51866\" class=\"elementor elementor-51866\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e57c06a e-flex e-con-boxed e-con e-parent\" data-id=\"e57c06a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b505331 elementor-widget elementor-widget-image\" data-id=\"b505331\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1560\" height=\"2560\" src=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-scaled.jpg\" class=\"attachment-full size-full wp-image-52071\" alt=\"Roberto Villanueva (Hernando, C\u00f3rdoba, 1929 \u2013 Buenos Aires, 2005), the visionary director of the Di Tella Institute\u2019s Audiovisual Experimentation Centre (CEA), regarded his programme\u2019s productions as \u2018test objects\u2019. His aim was to dissolve the boundaries between artistic disciplines: \u2018I made it my mission to erase the barriers between dance and mime and theatre. And I gave all the shows equal importance.\u2019 Villanueva took under his wing young artists without any stage where to show their various, eclectic, multidisciplinary aesthetics, which renewed the experimental scene in Buenos Aires in the 1960s. Villanueva directed two landmark works at the CEA in those years: El Tim\u00f3n de Atenas de William Shakespeare [William Shakespeare\u2019s Timon of Athens] (1967) and Ubu in Chains (1968). More than a decade earlier, his innovative spirit and interest in the European post-avant-garde had already led him to participate in the first staging of Samuel Beckett\u2019s Waiting for Godot in Argentina, directed by Jorge Petraglia. From 1978, Villanueva lived in exile, first in France, then in Spain, where he premiered the Austrian playwright Thomas Bernhard for the first time in Spanish. Defining the CEA\u2019s curatorial approach in words that might have been said today, Villanueva stated: \u2018In a world on the brink of total change, a world dulled by saturation with excessive information, new tools of representation are needed.\u2019\" srcset=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-scaled.jpg 1560w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-183x300.jpg 183w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-624x1024.jpg 624w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-768x1260.jpg 768w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-936x1536.jpg 936w, https:\/\/museomoderno.org\/wp-content\/uploads\/2025\/05\/1-Roberto-Villanueva-ENG-2-1248x2048.jpg 1248w\" sizes=\"(max-width: 1560px) 100vw, 1560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-51866","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/51866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=51866"}],"version-history":[{"count":16,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/51866\/revisions"}],"predecessor-version":[{"id":52149,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/51866\/revisions\/52149"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=51866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=51866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=51866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}