{"id":48370,"date":"2024-08-21T17:29:19","date_gmt":"2024-08-21T20:29:19","guid":{"rendered":"https:\/\/museomoderno.org\/mariana-de-matteis\/"},"modified":"2025-07-16T14:58:05","modified_gmt":"2025-07-16T17:58:05","slug":"mariana-de-matteis","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/mariana-de-matteis\/","title":{"rendered":"Mariana De Matteis"},"content":{"rendered":"\t\t
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Mariana De Matteis<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ROSARIO, SANTA FE PROVINCE
VISUAL ARTIST AND MUSEUM WORKER<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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PROPOSED PROJECT<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sin t\u00edtulo [Untitled]<\/I>\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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During her residency at Casa Alberto Heredia, the artist intends to delve deeper into a line of <\/span>research that is present in her latest works and relates to the collection. She is currently in the\u00a0 <\/span>preliminary stages of the project, which involves exploring the versos \u2013 or back sides \u2013 of <\/span>different paintings and building an archive of images. It focuses on the discovery of new <\/span>paintings, sketches, drawings, messages, dedications and inscriptions that may be found in this\u00a0 <\/span>hidden and forbidden space on the back side of works of art.<\/span><\/p>

Some time ago I began to gather material by consulting the displayed collections, reserves and technical areas of different museums in the country and abroad. In this same vein, I will work together with the areas of Heritage and Conservation of the Museo Moderno to investigate the collection in depth, trying to discover interesting and significant material on the backs of artworks.<\/span><\/p>

Through my research, I am interested in investigating and formulating hypotheses regarding the fate of images that were pushed aside and remain excluded, the reasons why one image was favoured over another…. I am interested in testing possible narratives to connect what is represented on the front and the back of an artwork.\u00a0<\/span><\/p>

The different conceptual, formal and material investigations that I will carry out will result in a new body of work whose materiality and form will be experimented with in the workshop.<\/span><\/p>

The programme of work in this residency will include a fieldwork stage and another stage of creative enquiry, which will take place in the studio, processing the information gathered, experimenting with it and evaluating the ways of materialising and exhibiting the project. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Mariana de Matteis<\/strong> was born in Villaguay, Entre R\u00edos Province, in 1984.\u00a0<\/span><\/p>

She is an artist and museum worker. She holds a degree in Fine Arts from the Universidad Nacional de Rosario and has been trained by Rafael Cippolini, Eva Grinstein, Pablo Siquier, Roberto Echen and Silvia Gurfein. She has taken part in residencies at Hangar, Barcelona (2014); the URRA residency, CABA (2015), and the Laboratorio Federal, Museo S\u00edvori, CABA (2021).<\/span><\/p>

She has obtained the Ozenford Grant (2023), and grants from different institutions such as the Goethe Institut, the Fondo Nacional de las Artes, the Fundaci\u00f3n Nuevo Banco de Santa Fe and the Nuevo Banco de Entre R\u00edos.\u00a0<\/span><\/p>

She won the Second Acquisition Prize at the XV Premio de Pintura Banco Central (2022), the First Acquisition Prize UADE (2020), the First Mention in the XXII Klemm Prize (2018), Incentive Award at the Sal\u00f3n de Mayo, Museo Provincial de Bellas Artes \u2018Rosa Galisteo de Rodr\u00edguez\u2019, Santa Fe (2022, 2019, 2018 and 2016), and the Young Artist Award 2014 Fundaci\u00f3n Nuevo Banco de Santa Fe. She was a finalist for the following awards: Premio Braque (2023), Premio Fortabat (2023), Premio 8M, CCK (2021), Azcuy (2020), Sal\u00f3n Nacional de Artes Visuales (2018), Ita\u00fa (2015 and 2018) and Medif\u00e9 (2015). She received an honourable mention for the Premio Lucio Fontana (2016) and participated in <\/span>Curr\u00edculum cero<\/span><\/i>, Galer\u00eda Ruth Benzacar, Buenos Aires (2008).\u00a0<\/span><\/p>

She has had solo and group exhibitions in different museums and cultural spaces, including the Universidad Di Tella, CABA; Complejo Cultural \u2018Parque de Espa\u00f1a\u2019 and Galer\u00eda La Toma, Rosario (2022); Museo S\u00edvori, CABA (2021); Museo Castagnino, Rosario (2021); Espacio de Arte Contempor\u00e1neo, Montevideo (2020 and 2013); Centro Cultural Kirchner, CABA (2020 and 2019); Diego Obligado Galer\u00eda de arte, Rosario (2018 and 2013); Fundaci\u00f3n Osde, Rosario (2017); Centro de Expresiones Contempor\u00e1neas, Rosario (2015 and 2013), and Hangar, Barcelona (2014).\u00a0<\/span><\/p>

She lives and works in Rosario, Santa Fe Province.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Mariana De Matteis ROSARIO, SANTA FE PROVINCEVISUAL ARTIST AND MUSEUM WORKER PROPOSED PROJECT Sin t\u00edtulo [Untitled] During her residency at Casa Alberto Heredia, the artist intends to delve deeper into a line of research that is present in her latest works and relates to the collection. She is currently in the\u00a0 preliminary stages of the […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-48370","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/48370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=48370"}],"version-history":[{"count":8,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/48370\/revisions"}],"predecessor-version":[{"id":53050,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/48370\/revisions\/53050"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=48370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=48370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=48370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}