{"id":38293,"date":"2023-06-12T11:58:40","date_gmt":"2023-06-12T14:58:40","guid":{"rendered":"https:\/\/museomoderno.org\/el-museo-una-creacion-compartida-etica-transformacion-social-y-legado-cultural\/"},"modified":"2023-11-06T14:50:01","modified_gmt":"2023-11-06T17:50:01","slug":"el-museo-una-creacion-compartida-etica-transformacion-social-y-legado-cultural","status":"publish","type":"post","link":"https:\/\/museomoderno.org\/en\/el-museo-una-creacion-compartida-etica-transformacion-social-y-legado-cultural\/","title":{"rendered":"The Co-Creative Museum: Social Agency, Ethics, and Heritage"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"38293\" class=\"elementor elementor-38293 elementor-33064\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-51a56144 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"51a56144\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-621dc6ad\" data-id=\"621dc6ad\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5a12f0dc elementor-widget elementor-widget-heading\" data-id=\"5a12f0dc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">The Co-Creative Museum: Social Agency, Ethics, and Heritage<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-49bb962a elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"49bb962a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-115c139 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"115c139\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8a4a372\" data-id=\"8a4a372\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3cea50f elementor-widget elementor-widget-text-editor\" data-id=\"3cea50f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>55th CIMAM ANNUAL CONFERENCE IN BUENOS AIRES<\/strong><br \/><strong>9\u201311 November 2023<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2d4c2a7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2d4c2a7\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8611cb4\" data-id=\"8611cb4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0a3f07e elementor-widget elementor-widget-image\" data-id=\"0a3f07e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-scaled.jpg\" class=\"attachment-full size-full wp-image-22436\" alt=\"\" srcset=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-scaled.jpg 2560w, https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-300x200.jpg 300w, https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-1024x683.jpg 1024w, https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-768x512.jpg 768w, https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-1536x1024.jpg 1536w, https:\/\/museomoderno.org\/wp-content\/uploads\/2022\/04\/Fachada-museofoto-Guido-Limardo-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2377778 elementor-widget elementor-widget-video\" data-id=\"2377778\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen allow=\"clipboard-write\" title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/828290038?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-209f8f9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"209f8f9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0f2139d\" data-id=\"0f2139d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1376e26 elementor-widget elementor-widget-text-editor\" data-id=\"1376e26\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>What is a co-creative museum? How can a museum activate and strengthen mutuality among its many component communities? When is it legitimate to speak about the collective creation of programmes, languages and tasks in an institutional context? Is the social a new museum mandate? What is the museum\u2019s educational role in the production of knowledge and in the pedagogical and dialogical process? How can the construction and care of patrimony and heritage find a correlation in the relationships the museum fosters with its diverse communities? How can the museum engage with the social processes affecting our immediate communities? \u2018Co-creation\u2019 is a term largely appropriated by the corporate sector, yet the participation in the reciprocal making of meaning is a fundamental task of the contemporary museum.<\/p><p>For the first time in CIMAM\u2019s history, the Conference will focus on the social role of the art museum. This function lies at the natural heart of museum practices in Latin America, where many museums vigorously take up the mantle of responding to lesser developed economic contexts in which social disparity, inequality and discrimination are the order of the day. Cultural institutions in this region are highly experienced in collaborating with artists to position the arts as a vehicle for the development of the imagination, the expansion of concepts and forms of education, the production of communal and individual knowledge, and resistance to authoritarianism; in short, as a path of effective micropolitics towards concrete social transformation, community-building and the promotion of social justice.<\/p><p>The need to empower museums in a context of exponential vulnerability has today extended to the whole world: institutions can feel vulnerable over non-existent codes of governance and ethics, and their lack of clarity or effective application, or over insufficient financial resources that are either too weak to support operations in less developed contexts or too scarce to face the competition of the art market in the more economically advanced contexts. Museums that have been able to function and prosper in unfavourable conditions have a great deal to offer and a great deal to say. Furthermore, inequity in human and natural rights is a trait that has become widely visible during the Covid19 pandemic: gender, economic and religious forms of discrimination, racism and hatred are on the rise, challenging all parameters of stability. The current levels of distress in most societies demand that museums privileged enough to work with living artists are rising to the occasion to develop fast, flexible and effective responses and methodologies that can bring about social and educational micropolitical change by grounding the force of their actions in the diversity and intrinsic freedom of thought, expression and creativity that is at the heart of artistic practice.<\/p><p>This Conference will, transversally, address ethics, values and methods as three core concerns of museum practices today. We are interested in rethinking how we do what we do and in opening up dialogue. The Conference is hosted by Argentina\u2019s dynamic artistic community against a backdrop of economic adversity, a community that has so much to say about how to do more with less and tirelessly turns to the arts as a vehicle for touching and transforming lives.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c4c70c5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c4c70c5\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-138e7e1\" data-id=\"138e7e1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0b4f376 elementor-widget elementor-widget-heading\" data-id=\"0b4f376\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">DAY 1: Thursday 9 November\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b1c3a33 elementor-widget elementor-widget-text-editor\" data-id=\"b1c3a33\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><i>How Can Museums Embrace their Social Responsibility? A Question from the Americas<\/i><\/b><\/p><section class=\"elementor-section elementor-top-section elementor-element elementor-element-a4f58ae elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a4f58ae\" data-element_type=\"section\"><div class=\"elementor-container elementor-column-gap-default\"><div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-16493d1\" data-id=\"16493d1\" data-element_type=\"column\"><div class=\"elementor-widget-wrap elementor-element-populated\"><div class=\"elementor-element elementor-element-8da92b9 elementor-widget elementor-widget-text-editor\" data-id=\"8da92b9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\"><p>How can museums become effective sites for playing out, debating and tackling the issues raised by societies? How can museums be affirmed as brave spaces for freedom of expression, the development of honest inquiry and the expansion of creative imaginations as they occupy their roles as producers of knowledge in dialogue with artists and civil societies? On this first day of the Conference, we look forward to setting forth holistic conceptions around how the museum can effectively make communities\u2019 concerns its own in order to effectively respond and accompany their searches by shouldering social, cultural and educational \u2013 and decolonial! \u2013 responsibilities.<\/p><p><i>Guest Speakers<\/i><\/p><ul><li><b>Elvira Espejo Ayca<\/b>\u00a0Artist and Director, Museo Nacional de Etnograf\u00eda y Folklore, La Paz, Bolivia<\/li><li><b>Pablo Lafuente<\/b>\u00a0Artistic Director, Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil<\/li><li><b>Simon Njami<\/b>\u00a0Independent Curator, Paris, France<\/li><li><b>Nicol\u00e1s Testoni<\/b>\u00a0Director, Ferrowhite \u2013 museo taller, Bah\u00eda Blanca, Argentina<\/li><li><b>Coco Fusco<\/b>\u00a0Artist and Professor, Cooper Union, Brooklyn, USA<\/li><\/ul><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-11a3b86 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"11a3b86\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8bbb5c0\" data-id=\"8bbb5c0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c6eab0b elementor-widget elementor-widget-heading\" data-id=\"c6eab0b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">DAY 2: Friday 10 November\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-336ca8f elementor-widget elementor-widget-text-editor\" data-id=\"336ca8f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><i>The Role of Museums in Communities, Education, and Accessibility<\/i><\/b><\/p><p>The museum can be an active agent in understanding art partly as a vehicle for the construction of knowledge. What is the role of the arts and artists in education as a whole, and what is the role of education as endorsed by the museum? How can the museum become a catalyst for new notions of education? How can museums foster co-creative relationships with and among artists and the local communities of situated contexts? Over the course of Day 2, we access the experiences and philosophies of specialists in education, accessibility and mental health as they weave the arts into their own practices of education, care and healing.<\/p><p><i>Guest Speakers<\/i><\/p><ul><li><b>Luis Camnitzer<\/b>\u00a0Artist, Great Neck, USA<\/li><li><b>Daina Leyton<\/b>, Cultural Accessibility Consultant, Moreira Salles Institute, S\u00e3o Paulo, Brazil<\/li><li><b>Marie<\/b>\u00a0<b>H\u00e9l\u00e8ne Pereira<\/b>\u00a0Curatorial Advisor, RAW Material Company, Dakar, Senegal, Senior Curator (performative practices), Haus der Kulturen der Welt, Berlin, Germany<\/li><li><b>teresa cisneros<\/b>\u00a0Senior Practice Manager, Culture Equity Diversity Inclusion, Wellcome Trust, London, UK<\/li><li><b>Ana Gallardo<\/b>\u00a0Artist, Mexico City, Mexico<\/li><\/ul><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-862270a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"862270a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-309eeea\" data-id=\"309eeea\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-34eb510 elementor-widget elementor-widget-heading\" data-id=\"34eb510\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">DAY 3: Saturday 11 November\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bbcca77 elementor-widget elementor-widget-text-editor\" data-id=\"bbcca77\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><i>How Can Museums Collect, Preserve and Protect Cultural Heritage While Creating New Communities?<\/i><\/b><\/p><p>Day 3 is intended as an organic continuation of the debates and discussions begun during the second day of the Conference. Museums have a responsibility to preserve but also to honour situated histories, materials and archives that embody past heritages and steer us towards different futures. Museums are learning not only to preserve, but to become and remain respectful to the premises and values of the communities which such materials belong to. Can we implement different methodologies to question canonical and normative processes and so disrupt colonial legacies? Can we escape the logic of capitalism in our collections? Can we challenge our acquisition criteria and our conservation policies to accommodate the well-being of our planet? Can restitution be seen as a form of necessary healing and an opportunity to initiate a different dialogue with the past? What are the future mechanisms to implement the museum\u2019s response in the event of wars or emergencies? Naming problems and proposing different approaches and methods has a generative effect by enabling us to collectively reflect on a museum capable of learning and transmitting how heritage is always related to an idea of the social situated not only in the past but in the future.<\/p><p><i>Guest Speakers<\/i><\/p><ul><li><b>Marian Pastor Roces<\/b>\u00a0Curator and Principal Partner, TAOINC, Metropolitan Manila, Philippines<\/li><li><b>Luma Hamdan<\/b>\u00a0Director, Darat al Funun \u2013 The Khalid Shoman Foundation, Amman, Jordan<\/li><li><b>Yto Barrada<\/b>\u00a0Artist, Brooklyn\/Tanger, USA\/Morocco<\/li><li><b>Claudia Zald\u00edvar<\/b>\u00a0Director, Museo de la Solidaridad Salvador Allende (MSSA), Santiago, Chile<\/li><li>A Dialogue between\u00a0<b>Mar\u00eda Bel\u00e9n Correa,<\/b>\u00a0Director and Founder, Archivo de la Memoria Trans Argentina (Argentinian Trans Memory Archive), Hanover, Germany, and\u00a0<b>Sidhi Vhisatya,<\/b>\u00a0Curator, Queer Indonesia Archive (QIA), Jimbaran, Bali, Indonesia<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>55th CIMAM ANNUAL CONFERENCE IN BUENOS AIRES9\u201311 November 2023 https:\/\/vimeo.com\/828290038 What is a co-creative museum? How can a museum activate and strengthen mutuality among its many component communities? When is it legitimate to speak about the collective creation of programmes, languages and tasks in an institutional context? Is the social a new museum mandate? What [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-38293","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/38293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/comments?post=38293"}],"version-history":[{"count":4,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/38293\/revisions"}],"predecessor-version":[{"id":38297,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/posts\/38293\/revisions\/38297"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=38293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/categories?post=38293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/tags?post=38293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}