{"id":9977,"date":"2021-01-04T16:51:47","date_gmt":"2021-01-04T19:51:47","guid":{"rendered":"https:\/\/museomoderno.org\/libros\/graciela-hasper-gramatica-del-color\/"},"modified":"2021-11-02T14:48:27","modified_gmt":"2021-11-02T17:48:27","slug":"graciela-hasper-the-grammar-of-colour","status":"publish","type":"libros","link":"https:\/\/museomoderno.org\/en\/books\/graciela-hasper-the-grammar-of-colour\/","title":{"rendered":"Graciela Hasper: The Grammar of Colour"},"content":{"rendered":"\n<p>2016<br>Bilingual edition, Spanish\/English<br>Texts: Roberto Amigo, Laura Isola y Victoria Noorthoorn<br>Investigaci\u00f3n: Sebasti\u00e1n Vidal Mackinson<br>Graphic Design: Eduardo Rey<br>Translations: Ian Barnett, Julia Bense\u00f1or, Kit Maude<br>Photography: Viviana Gil<\/p>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">352 pages<br>Format: 25x21cm<br>ISBN 978-987- 673-278-9<\/h6>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<p>The exhibition,&nbsp;<em>Graciela Hasper: The Grammar of Colour<\/em>, held at the Museo de Arte<br>Moderno in 2013, presented a look around twenty years of Hasper\u2019s painting to bring<br>the public the key works of one of Argentina\u2019s greatest living artists. This book set out<br>to go beyond: in addition to the corpus of images of the paintings displayed in the<br>Moderno\u2019s galleries, it includes paintings not exhibited, as well as extra-pictorial works<br>like watercolours, photographs, digital projects, atmospheres and public art projects.<br>Alongside this important selection of images it offers a gateway into Hasper\u2019s prolific<br>visual world, accompanied by critical texts from Roberto Amigo and Laura Isola.<\/p>\n\n\n\n<p>\u2018Colour isn\u2019t just a formal question, it\u2019s also very subjective: feminine and exuberant.<br>On the one hand, it\u2019s garish and on the other it feeds on pop culture, the sense of the<br>popular. Also, colour has become devalued, it\u2019s associated with decorative and minor<br>art-forms and that interests me. I want to work with the complete chromatic circle and<br>its combinations because basically it appeals to emotions. I believe that colour is<br>emotion and that\u2019s the main tool in my work. In my pieces, colour is the medium for the<br>content. Colours stimulate ocular and emotional movement. It\u2019s how I generate subjectivity. \u2019<\/p>\n\n\n\n<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Graciela Hasper<br>&nbsp;<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">The exhibition&nbsp;<em>Graciela Hasper: The Grammar of Colour<\/em>&nbsp;was presented at the<br>museum from 12 October 2013 until 19 January 2014.<\/h6>\n","protected":false},"featured_media":9978,"template":"","class_list":["post-9977","libros","type-libros","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/9977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/libros"}],"version-history":[{"count":0,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/9977\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media\/9978"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=9977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}