{"id":9927,"date":"2021-01-04T17:45:41","date_gmt":"2021-01-04T20:45:41","guid":{"rendered":"https:\/\/museomoderno.org\/libros\/argentina-lisergica\/"},"modified":"2021-11-02T14:39:17","modified_gmt":"2021-11-02T17:39:17","slug":"lysergic-argentina-psychedelic-visions-in-the-mamba-collection","status":"publish","type":"libros","link":"https:\/\/museomoderno.org\/en\/books\/lysergic-argentina-psychedelic-visions-in-the-mamba-collection\/","title":{"rendered":"Lysergic Argentina: Psychedelic Visions in the MAMBA Collection"},"content":{"rendered":"\n<p>2016<br>Bilingual edition, Spanish\/English<br>Text: Rafael Cippolini<br>Edici\u00f3n gr\u00e1fica: Eduardo Rey<br>Graphic Design: Luc\u00eda Ladreche<br>Translations: Kit Maude<\/p>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">320 pages<br>Format: 20 x 25 cm<br>ISBN 978-987-6732-80-2<\/h6>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<p>This book was published to document one of the inaugural exhibitions of the new<br>stage of the Museo de Arte Moderno, which began in 2014. Based on a substantial<br>number of works from the Moderno\u2019s Collection,&nbsp;<em>Lysergic Argentina: Psychedelic<br>Visions in the MAMBA Collection&nbsp;<\/em>invited reflection about a time when art and society<br>were exploring new forms and seeking to break boundaries<em>. It incl<\/em>udes a critical<br>historical essay by Rafael Cippolini and contains numerous gallery shots, as well as<br>reproductions of works by such artists as Tom\u00e1s Abal, Roberto Aizenberg, Juan<br>Andino, Antonio Andujar, Hans (Jean) Arp, Pompeyo Audivert, Bandi Binder, Luis<br>Fernando Benedit, Ricardo Blanco, Osvaldo Borda, Mildred Burton, Miguel Caride,<br>Alicia Carletti, Carmelo Carr\u00e1, Domingo Casimiro, Juan Cavallero, \u00c1ngeles de Armas,<br>Jorge de la Vega, Noem\u00ed Di Benedetto, Thomas Downing, Armando Durante, Manuel<br>Espinosa, Rub\u00e9n Fontana, Carlos Furman, Eduardo Gim\u00e9nez, Abdulio Giudice,<br>Guillermo Gonz\u00e1lez Ruiz, Luis Gowland Moreno, Juan Grela, Miguel Harte, Alberto<br>Heredia, Narcisa Hirsch, Bruno Janello, Eduardo Joselevich &amp; Fanny Fingerman,<br>Fabio Kacero, Gyula Kosice, Ricardo Laham, Julio Le Parc, Reinaldo Leiro &amp; Arnoldo<br>Gaite, Leo Chiachio &amp; Daniel Giannone, Alfredo Londaibere, Eduardo Mac Entyre,<br>R\u00f3mulo Macci\u00f3, V\u00edctor Magari\u00f1os D., Mar\u00eda Martorell, El\u00edas Mekler, Marta Minuj\u00edn,<br>Carlos Mord\u00f3, Roberto Napoli &amp; Emil Taboada, Lowell Nesbitt, Oski, Aldo Paparella,<br>Marta Peluffo, P\u00e9rez Celis, Rogelio Polesello, Marcelo Pombo, Mar\u00eda Laura San Mart\u00edn,<br>Alejandro Sarmiento, Omar Schirilo, Ariel Scornik, Antonio Segu\u00ed, Aldo Sessa, Carlos<br>Silva, Oscar Smoje, Charlie Squirru, Juan Stoppani, Berenice Sydney, Georges<br>Vantongerloo, Gregorio Vard\u00e1nega, Victor Vasarely, Peter von Artens and Xul Solar.<\/p>\n\n\n\n<p>\u2018The story of the discovery of LSD-25 (the psychedelic drug par excellence, originally<br>used in experimental psychiatry) and its transfer to the counterculture has been told<br>many times. But above all it is the cultural difference between the experience of altered<br>perception due to the use of controlled substances and the aesthetics that derived from<br>its visual standardization. To put it another way, using local examples, while for Minuj\u00edn<br>taking LSD was a way of moving beyond pop, for an artist such as her contemporary<br>Edgardo Gim\u00e9nez the psychedelic image was an imaginative graphic resource that<br>fedand introduced more complexity into the practice of the visual communicator. Minuj\u00edn\u2019s<br><em>psicadelia<\/em>&nbsp;moved through the worlds of art and subcultures in the late 60s while Gim\u00e9nez\u2019s<br>psicodelia opened up hitherto unheard of dimensions in the pop iconography without any<br>need for chemicals, forms that would soon pave the way for an invasion of colours, planes<br>and lines that defined the aesthetic landscape of a period. \u2019<br><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Rafael Cippolini<br>&nbsp;<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">The exhibition Lysergic Argentina: Psychedelic Visions in the MAMBA Collection was presented<br>at the museum from 11 March 2014 until 12 April 2015.<\/h6>\n","protected":false},"featured_media":9928,"template":"","class_list":["post-9927","libros","type-libros","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/9927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/libros"}],"version-history":[{"count":0,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/9927\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media\/9928"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=9927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}