{"id":58087,"date":"2026-04-07T16:08:43","date_gmt":"2026-04-07T19:08:43","guid":{"rendered":"https:\/\/museomoderno.org\/libros\/linda-matalon-marcas-imborrables\/"},"modified":"2026-04-07T16:20:31","modified_gmt":"2026-04-07T19:20:31","slug":"linda-matalon-marcas-imborrables","status":"publish","type":"libros","link":"https:\/\/museomoderno.org\/en\/books\/linda-matalon-marcas-imborrables\/","title":{"rendered":"Linda Matalon: Indeleble Traces"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"58087\" class=\"elementor elementor-58087 elementor-58081\" data-elementor-post-type=\"libros\">\n\t\t\t\t<div class=\"elementor-element elementor-element-451b708 e-flex e-con-boxed e-con e-parent\" data-id=\"451b708\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6c0b985 elementor-widget elementor-widget-text-editor\" data-id=\"6c0b985\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">2026<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">Bilingual Spanish-English edition<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">Texts: Victoria Noorthoorn, Gabriela Rangel, Ksenia M. Soboleva, Edward J. Sullivan<\/span><b><br \/><\/b><span style=\"font-weight: 400;\">English translation: Ian Barnett, Leslie Robertson<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">Spanish translation: Julia Bense\u00f1or<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">Design: Horacio Wainhaus, Mat\u00edas Schilman<\/span><\/p><p><span style=\"font-weight: 400;\">\u2013<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">216 pages<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">Format: 28 \u00d7 19 cm<\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">ISBN 978-987-22339-2-1<\/span><\/p><p><span style=\"font-weight: 400;\">\u2013<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cIn the exhibition Linda Matalon: Marcas imborrables, we presented two keystone series from the Cuban-American artist\u2019s vast output of works on paper, created during pandemics that left a deep mark on her: the COVID-19 and the earlier AIDS pandemic, which so ravaged the LGBTQ+ community of the early 1990s, to which Matalon belongs. The works of both series share the small format and the fact that they were made on the paper the artist had at hand in such conditions of emergency or confinement. Both series also work with fragile materials, fusing together paper, wax and tar or graphite to allow the recording \u2013 technically indelible \u2013 of every single gesture, stroke and trace Matalon made on the paper. They are true palimpsests, each drawing becoming a witness and translation of the artist\u2019s critical experiences and profound cognitive and spiritual stances towards her contemporary universe at both the individual\/subjective and social levels. Her drawings provide us with access to the traces borne by humanity itself during two fundamental historical crises which, we feel, should be revisited and understood more deeply if we are to plan our future more responsibly.\u201d<\/span><\/p><p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Victoria Noorthoorn<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cThese drawings take you straight to a state of pain, using an astonishing economy of means: a sfumato here, a few lines there.\u201d<\/span><\/p><p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Gabriela Rangel<\/span><\/p><p><span style=\"font-weight: 400;\">&#8220;Driven by a deep knowledge of time\u2019s precarious nature, with its unfair ability to cut lives tragically short, Matalon nevertheless remains invested in the deliberate unfolding of each moment.\u201d<\/span><\/p><p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Ksenia M. Soboleva<\/span><\/p><p><span style=\"font-weight: 400;\">\u201cFor Linda, the paper itself represents a metaphor for skin. Touching, caressing, altering, or entering into an intimate tactile communication with its substance is a way to evoke the act of healing or transformation. [\u2026] By working with paper and transforming it from a plain surface into a living entity through the application of waxy substances and graphite marks, the artist commences the most intimate possible relationship with a quintessential constituent of humanity\u2019s physicality.\u201d<\/span><\/p><p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Edward J. Sullivan<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":58088,"template":"","class_list":["post-58087","libros","type-libros","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/58087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/libros"}],"version-history":[{"count":6,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/58087\/revisions"}],"predecessor-version":[{"id":58094,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/libros\/58087\/revisions\/58094"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media\/58088"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=58087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}