{"id":9363,"date":"2020-12-10T16:41:18","date_gmt":"2020-12-10T19:41:18","guid":{"rendered":"https:\/\/museomoderno.org\/exposiciones\/episodios-coleccion-pirovano-i-georges-vantogerloo-y-las-proyecciones-en-el-arte-argentino\/"},"modified":"2024-09-13T15:54:05","modified_gmt":"2024-09-13T18:54:05","slug":"episodios-coleccion-pirovano-i-georges-vantogerloo-y-las-proyecciones-en-el-arte-argentino","status":"publish","type":"exposiciones","link":"https:\/\/museomoderno.org\/en\/exhibitions\/episodios-coleccion-pirovano-i-georges-vantogerloo-y-las-proyecciones-en-el-arte-argentino\/","title":{"rendered":"Episodes from the Pirovano Collection I: George Vantongerloo and his Echoes in Argentine Art"},"content":{"rendered":"\n<p>Dr. Ignacio Pirovano was a lawyer, painter, Director of the Museo de Arte Decorativo for nineteen yars (1937-1955), a member of the Argentine Association of Art Critics and the International Association of Art Critics, an agricultural and technological businessman who was able to combine bovine genetics with canonical Greek concepts of proportion, an essayist and educator, conference speaker, editor, advisor to the Museo de Arte Moderno de R\u00edo de Janeiro, patron and the first collector of Concrete Art in the country.<\/p>\n\n\n\n<p>Through different curatorial approaches that will be periodically renewed under the title Episodes from the Pirovano Collection, the Museo offers multiple different readings of the Ignacio Pirovano Lezica Alvear (Buenos Aires, 1909-1980) legacy, which was donated to this institution between 1980 and 1981. The first chapter, titled George Vantogerloo and his Echoes in Argentine Art focused on pieces by V\u00edctor Magari\u00f1os D., Eduardo Mac Entyre and Miguel \u00c1ngel Vidal.<\/p>\n\n\n\n<p>In 1959, inspired by Vantongerloo\u2019s writing, Eduardo Mac Entyre and Miguel \u00c1ngel Vidal, accompanied by Pirovano, founded the Arte Generativo group in Buenos Aires. It was dedicated to working with the superimposition of points and straight lines to develop geometric and colour forms. The cosmological art of V\u00edctor Magari\u00f1os D. is also closely related to Vantongerloo\u2019s research into art and science.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9475_0.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9475_0.jpg\" alt=\"\" data-id=\"966\" data-full-url=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9475_0.jpg\" data-link=\"https:\/\/museomoderno.org\/?attachment_id=966\" class=\"wp-image-966\" srcset=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9475_0.jpg 1000w, https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9475_0-300x200.jpg 300w, https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9475_0-768x512.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9480.jpg\"><img decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9480.jpg\" alt=\"\" data-id=\"967\" data-full-url=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9480.jpg\" data-link=\"https:\/\/museomoderno.org\/?attachment_id=967\" class=\"wp-image-967\" srcset=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9480.jpg 1000w, https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9480-300x200.jpg 300w, https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9480-768x512.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9487.jpg\"><img decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9487.jpg\" alt=\"\" data-id=\"968\" data-full-url=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9487.jpg\" data-link=\"https:\/\/museomoderno.org\/?attachment_id=968\" class=\"wp-image-968\" srcset=\"https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9487.jpg 1000w, https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9487-300x200.jpg 300w, https:\/\/museomoderno.org\/wp-content\/uploads\/2020\/12\/IMG_9487-768x512.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p><b>Location:<\/b> First floor<\/p>\n<p><b>Artists:<\/b> Eduardo Mac Entyre, V\u00edctor Magari\u00f1os, George Vantogerloo, Miguel \u00c1ngel Vidal <\/p>\n","protected":false},"featured_media":9364,"template":"","class_list":["post-9363","exposiciones","type-exposiciones","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones\/9363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/exposiciones"}],"version-history":[{"count":2,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones\/9363\/revisions"}],"predecessor-version":[{"id":46780,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones\/9363\/revisions\/46780"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media\/9364"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=9363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}