{"id":50939,"date":"2025-02-24T12:44:17","date_gmt":"2025-02-24T15:44:17","guid":{"rendered":"https:\/\/museomoderno.org\/exposiciones\/jorge-mino-la-cuarta-pared\/"},"modified":"2025-10-07T12:22:27","modified_gmt":"2025-10-07T15:22:27","slug":"jorge-mino-la-cuarta-pared","status":"publish","type":"exposiciones","link":"https:\/\/museomoderno.org\/en\/exhibitions\/jorge-mino-la-cuarta-pared\/","title":{"rendered":"Jorge Mi\u00f1o: The Fourth Wall"},"content":{"rendered":"\t\t
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The Museo Moderno proudly presents this exhibition of works by Jorge Mi\u00f1o (Corrientes, 1973), a leading light of contemporary Argentinian photography. In this selection of works carried out between 2018 and the present, Mi\u00f1o employs a variety of photographic procedures to construct unexpected realities. His images summon impossible volumes, expanding angles and vanishing points, which intersect in a geometry seemingly unbounded by the two-dimensional plane. Standing before these works, the viewer is an active presence defining the image through a gaze in motion. Every position reveals a new perspective, a hidden dimension, a vertex that reconfigures the work in its totality.\u00a0<\/span><\/p>

Located at the entrance to the display of the Moderno\u2019s Collection, in conversation with keystone works of Argentinian geometric abstraction, Mi\u00f1o\u2019s pieces offer a rare and profound exploration of the uncertainty intrinsic to space itself. Straddling reality and fiction, his seductive images expand our possibilities of perception and invite us to discover the true dimension of geometric shapes as they are: infinite.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Curated by<\/b>: Ra\u00fal Flores
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Jorge Mi\u00f1o <\/b>(Corrientes, 1973) trained under Alejandro Kuropatwa, Mart\u00edn Weber, Alberto Goldenstein and in other workshops, such as the Contemporary Photography workshop at MALBA-Jumex, headed by Pablo Vargas Lugo. He took part in the Intercampos residency programme, guided by Victoria Noorthoorn, Dino Bruzzone and Patricia Hakim.<\/span><\/p>

Highlights of his past shows include: <\/span>El umbral invisible: donde los finales se vuelven comienzo<\/span><\/i> [<\/span>The Invisible Threshold: Where Endings Become Beginnings<\/span><\/i>], curated by Gabriela Urtiaga (Centro Cultural Recoleta, Buenos Aires, Argentina, 2015); <\/span>Todo lo que ha existido perdurar\u00e1 en la eternidad <\/span><\/i>[<\/span>Everything That Has Existed Lingers in Eternity<\/span><\/i>] (Dot Fiftyone Gallery, Miami, United States, 2016); <\/span>Vol\u00famenes del vac\u00edo<\/span><\/i> [<\/span>Volume of Emptiness<\/span><\/i>] (Praxis Gallery, Buenos Aires, Argentina, 2016); <\/span>Al mismo tiempo, todo, en todos lados<\/span><\/i> [<\/span>At the Same Time, Everything, Everywhere<\/span><\/i>] (Ungallery, Buenos Aires, Argentina, 2022);\u00a0 <\/span>Vestigios de lo concreto <\/span><\/i>[<\/span>Vestiges of the Concrete<\/span><\/i>] (Arthaus, Buenos Aires, Argentina, 2023); <\/span>\u00bfY si la forma no fuera un l\u00edmite?<\/span><\/i> [<\/span>What if Shape Was Not a Limit?<\/span><\/i>]<\/span> (Galer\u00eda Enlace Art, Lima, Per\u00fa, 2024); and <\/span>Perfectly Synchronized Movements <\/span><\/i>(Lois Lambert Gallery, Los Angeles, United States, 2024).<\/span><\/p>

He has also taken part in group exhibitions, including <\/span>Haussmannization<\/span><\/i> (Dot Fiftyone Gallery, Miami, United States, 2014); <\/span>Huella<\/span><\/i> [<\/span>Print<\/span><\/i>] (Tecn\u00f3polis, Buenos Aires, Argentina, 2016); <\/span>Borges,<\/span><\/i> ficciones de un tiempo infinito<\/span><\/i> [<\/span>Borges, Fictions of an Infinite Time<\/span><\/i>] (CCK, Buenos Aires, Argentina, 2016); <\/span>Enigma da Vis\u00e3o<\/span><\/i> [<\/span>Enigma of Vision<\/span><\/i>], curated by Massimo Scaringella and Luiz Carlos Brugnera (Museu de Arte de Cascavel, Cascavel, Brazil, 2018); <\/span>Relazioni Estetiche<\/span><\/i> [<\/span>Aesthetics Relations<\/span><\/i>], curated by Massimo Scaringella (Villam, Reggia di Caserta, Italy, 2018); <\/span>Fronteiras em Aberto<\/span><\/i> [<\/span>Open Borders<\/span><\/i>] (14th Curitiba Biennial, Brazil, 2019);\u00a0 <\/span>Laberintos <\/span><\/i>[<\/span>Labyrinths<\/span><\/i>] (Fundaci\u00f3n Proa, Buenos Aires, Argentina, 2022); and <\/span>Modelo para armar<\/span><\/i> [<\/span>Assembly Model<\/span><\/i>] (Casa Argentina, Roma, Italy, 2023).<\/span><\/p>

He was awarded the 3rd Banco Ita\u00fa Prize, Buenos Aires, Argentina in 2010. In 2011, he received a grant from the Fondo Nacional de las Artes and a Jury Mention at the National Photography Exhibition. He won the 2nd Prize at Repsol\u2013Lima Photo 2013 and also received the Gold Medal for an installation at Casa Foa, produced together with Estudio Mart\u00edn Zanotti. He won the 2nd Prize at the 3rd Fundaci\u00f3n Arte x Arte Photography Biennial in 2015. In 2018, he published his first book of his work, <\/span>Transversal<\/span><\/i>, in collaboration with Argentinian writer and essayist Marcelo Cohen. He lives and works in Buenos Aires.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Fourth Wall: The Playlist<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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