{"id":33005,"date":"2023-05-17T17:44:04","date_gmt":"2023-05-17T20:44:04","guid":{"rendered":"https:\/\/museomoderno.org\/exposiciones\/cien-caminos-en-un-solo-dia\/"},"modified":"2025-01-14T14:10:27","modified_gmt":"2025-01-14T17:10:27","slug":"cien-caminos-en-un-solo-dia","status":"publish","type":"exposiciones","link":"https:\/\/museomoderno.org\/en\/exhibitions\/cien-caminos-en-un-solo-dia\/","title":{"rendered":"A Hundred Roads in a Day"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In a suburban landscape created specially for this exhibition by Luciana Lamothe (Mercedes, Province of Buenos Aires, 1975), the works of more than twenty Argentinian artists from different backgrounds and trajectories express the vitality of the ideas that burst onto the scene in response to Argentina\u2019s 2001 social, economic and political crisis. <\/span>In that pivotal year, a new generation of artists set out to explore the city in search of art that could rise out of the rubble.<\/span> Memories of the city became matter, experience and stories, giving substance to a poetics of waste and pollution that transforms violence into new ways of inhabiting and making sense of the environment.<\/span>\u00a0<\/span><\/p>

At once vandalistic and constructive, Luciana Lamothe\u2019s work functions as a stage for this unprecedented encounter linking the different art scenes that took shape in Argentina over the first decade of the new millennium.<\/span> The experience of 2001 gave rise to myriad forms of restoration through poetic reinvention, which this exhibition \u2013 the title of which is borrowed from one of the songs on <\/span>Excursiones<\/span><\/i> [<\/span>Excursions<\/span><\/i>], the cult album released by Rosario Bl\u00e9fari and her band Su\u00e1rez in 1999 \u2013 sets out to showcase. These are versions of the city that exist somewhere between destruction and reconstruction, and point to rupture and dislocation while, at the same time, seeking refuge in the domestic space and unexpected street encounters. <\/span>From this viewpoint, an explosion can also be a burst of colour momentarily transforming the serialised landscape of the city, turning the sky fuchsia and giving its domes a rainbow-like composition.<\/span><\/p>

Artists:<\/b> Nicanor Ar\u00e1oz, Daniel Basso, Facundo Bel\u00e9n, Belleza y Felicidad Fiorito, Diego Bianchi, Eugenia Calvo, Paula Castro, Cynthia Cohen, Tom\u00e1s Espina, Mariana Ferrari, Diego Figueroa, Graciela Hasper, Carlos Herrera, Juliana Iriart, Irina Kirchuk, Luciana Lamothe, Mart\u00edn Leg\u00f3n, Mariana L\u00f3pez, Valentina Liernur, Tom\u00e1s Maglione, Ver\u00f3nica Meloni, Pablo Siquier, Clorindo Testa<\/span><\/p>

Staging:<\/b> Luciana Lamothe
<\/span>Curated by:<\/b> Jimena Ferreiro
<\/span>Production Coordination:<\/b> Iv\u00e1n R\u00f6sler
<\/span>Production<\/b>: Mar\u00eda Venancio y Martina Estel\u00ed<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

La F\u00e1brica - Cien caminos en un solo d\u00eda [The Factory - A Hundred Roads in a Single Day] \n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

We invite you to discover a new episode of <\/span>La F\u00e1brica <\/span><\/i>[<\/span>The Factory<\/span><\/i>] in the exhibition <\/span>Cien caminos en un solo d\u00eda<\/span><\/i> [<\/span>A Hundred Roads in a Single Day<\/span><\/i>]. Through the accounts of Luciana Lamothe, in charge of the exhibition\u2019s staging; Jimena Ferreiro, curator; Agustina Vizcarra, head of exhibitions; Iv\u00e1n R\u00f6sler, head of exhibition design and production; and Martina Estel\u00ed, producer, we can appreciate the contribution of each of these areas in the process that made it possible to conceive and create this exhibition.\u00a0\u00a0\u00a0<\/span><\/p>

We were delighted to learn that Luciana Lamothe is the representative of the Argentine Pavilion at the International Art Exhibition of the Venice Biennale.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Portrait of Facundo Bel\u00e9n\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Facundo Bel\u00e9n is an artist whose works take many formats: performance, audiovisual media, sculptures and installations. His contribution to the exhibition <\/span>Cien caminos en un solo d\u00eda<\/span><\/i> [<\/span>A Hundred Roads in a Single Day<\/span><\/i>] is a video-performance titled <\/span>Limpieza profunda<\/span><\/i> [<\/span>Thorough Clean<\/span><\/i>], in which the artist takes the idea of a \u201c<\/span>t<\/span>horough clean\u201d \u2013 that ideal promoted by both spiritual marketing and some diet-focused therapies \u2013 quite literally. In the piece, Bel\u00e9n ingests a series of household cleaning products, ranging from detergent to glass and floor cleaners. The contrast between the bright, artificial colours of the products and the artist\u2019s pale skin \u2013 as well as the increasing and evident discomfort and distress he experiences \u2013 make for an uncomfortable, even repulsive image that Bel\u00e9n uses to parody our relationship with consumer goods.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Portrait of Mariana Ferrari\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Zoom In<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Urban Dystopias Post-2001 <\/b> <\/p>\n

Location:<\/b> Second floor (Gallery G)<\/p>\n

Artists:<\/b> Nicanor Ar\u00e1oz, Daniel Basso, Facundo Bel\u00e9n, Belleza y Felicidad Fiorito, Diego Bianchi, Eugenia Calvo, Paula Castro, Cynthia Cohen, Tom\u00e1s Espina, Mariana Ferrari, Diego Figueroa, Graciela Hasper, Carlos Herrera, Juliana Iriart, Irina Kirchuk, Luciana Lamothe, Mart\u00edn Leg\u00f3n, Mariana L\u00f3pez, Valentina Liernur, Tom\u00e1s Maglione, Ver\u00f3nica Meloni, Pablo Siquier, Clorindo Testa<\/p>\n","protected":false},"featured_media":36511,"template":"","class_list":["post-33005","exposiciones","type-exposiciones","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones\/33005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones"}],"about":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/types\/exposiciones"}],"version-history":[{"count":42,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones\/33005\/revisions"}],"predecessor-version":[{"id":50061,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/exposiciones\/33005\/revisions\/50061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media\/36511"}],"wp:attachment":[{"href":"https:\/\/museomoderno.org\/en\/wp-json\/wp\/v2\/media?parent=33005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}