{"id":22644,"date":"2022-05-06T15:02:18","date_gmt":"2022-05-06T18:02:18","guid":{"rendered":"https:\/\/museomoderno.org\/exposiciones\/florencia-rodriguez-giles-sintomario\/"},"modified":"2024-09-24T15:45:36","modified_gmt":"2024-09-24T18:45:36","slug":"florencia-rodriguez-giles-sintomario","status":"publish","type":"exposiciones","link":"https:\/\/museomoderno.org\/en\/exhibitions\/florencia-rodriguez-giles-sintomario\/","title":{"rendered":"Florencia Rodr\u00edguez Giles: Symptomary"},"content":{"rendered":"\t\t
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In Sintomario<\/em> [Symptomary<\/em>], a solo show created by Florencia Rodr\u00edguez Giles (Buenos Aires, Argentina, 1978) for the Museo Moderno that brings together artistic and therapeutic practices, the artist presents a possible approach to the difficult construction of a common experience between the vulnerable and the excluded and those considered \u201cnormal\u201d by society due to their ability to adapt to the demands of contemporary life.<\/span><\/p>

The name of the exhibition is a neologism that combines the words \u2018symptom\u2019 and \u2018glossary\u2019. If discomfort is something that we find difficult to identify and name, Sintomario<\/em> creates an archive of words, exercises and records that provide a non-pathological or non-stigmatizing meaning to sensations and feelings.<\/span><\/p>

The project is one of the many outcomes of the collaborative productions that developed at CAOS (Club de Artes y Ocios, or Arts and Leisure Club) over the course of activities and encounters between health workers, users of mental health institutions, and neighbours of the city of La Plata. As in her previous projects, the artist has developed experiences that are linked to the relationship between the interior and exterior of artistic spaces. In this case, the inter-institutional working method seeks to blur the boundaries between the museum and care spaces, allowing for a mutual intervention of artistic and therapeutic practices that express the limits and disputes between the concepts of health and art.<\/span><\/p>

Sintomario <\/em>is comprised of two pieces that form part of a single installation: a large-scale drawing and a video. The former presents gelatinous bodies in a state of fusion as if a collective birth or a sensual, hybrid amalgam between collaborating species \u2013 humans, plants, objects and spectres \u2013 in search of integration and generation. The video was scripted by the artist together with outpatients from the Melchor Romero Hospital and other users of the mental health system. Between ritual and dance, new codes and atypical narratives are here created that dismantle what we perceive to be normal social behaviours and body language. Video and drawing are integrated in this single piece in order to create a new subjectivity that is capable of channeling desire in a communal exchange, both between and beyond humans.<\/span><\/p>

Over the coming months, Sintomario<\/em> will provide opportunities for participatory activities within the museum so that, as a community, we can name, listen and transform our feelings, questions and concerns about discomfort into words and bodies. <\/span><\/p>

Guest curator:<\/strong> Os\u00edas Yanov<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Florencia Rodr\u00edguez Giles<\/strong> (Buenos Aires, 1978) graduated from the Escuela Nacional de Arte Prilidiano Pueyrred\u00f3n and continued her training with Diana Aisenberg, Nicola Costantino and Guillermo Kuitca.\u00a0 She has won grants from the Fondo Nacional de las Artes and the Fundaci\u00f3n Antorchas, as well as the Braque Prize (Museo Universidad Nacional de Tres de Febrero, 2015). She has held many exhibitions and performances since 2002, including: Biod\u00e9lica <\/em>(Galer\u00eda Ruth Benzacar, 2019), Actividades prem\u00fandicas <\/em>(in collaboration with Pablo Katchadjian, UV Estudios, 2017), S\u00e9ance Limino\u00efde <\/em>(Palais de Tokyo, Paris, France. 2016), Noctario<\/em> (in collaboration with Barbara Hang, Club Silencio, Par\u00eds, Francia. 2016), Strabisme Interne<\/em> (Galerie d\u2019Art Contemporain Bendana-Pinel) and Mareaciones<\/em> (Galer\u00eda Ruth Benzacar, 2015). She has also held several residencies, such as FRAC Lorraine (Fonds R\u00e9gional d\u2019Art Contemporain. 2016), Cit\u00e9 Internationale des Arts (Paris, France. 2015), Paradise Air (Matsudo, Japan. 2015) and Arcus Studio (Ibaraki, Japan. 2014); Backers \/ Art Initiative (Tokyo, Japan. 2009).<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Florencia Rodr\u00edguez Giles: Symptomary Exhibition Factory\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Watch a new episode of \u201cLa f\u00e1brica\u201d [The factory], featuring the exhibition, <\/span>Sintomario<\/span><\/i> [Symptomary], by artist Florencia Rodr\u00edguez Giles. Through the accounts of the curator, Os\u00edas Yanov, and the artist, Florencia Rodr\u00edguez Giles, we learn about the contributions they made during the processes of conceiving and producing the exhibition. <\/span>Sintomario<\/span><\/i> is one of the 11 exhibitions that make up the Museo Moderno\u2019s 2022 program, <\/span>Un d\u00eda en la tierra<\/span><\/i> [<\/span>One Day on Earth<\/span><\/i>].<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Florencia Rodr\u00edguez Giles Portrait\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In recent years, Florencia Rodr\u00edguez Giles\u2019 has developed two complementary lines of work that she carries out both in and beyond artistic spaces. On the one hand, she produces drawings in large formats using a precise technique to present fictitious scenes and rituals that give birth to beings that are beyond human. And, on the other, she takes advantage of the possibilities offered by art, extending it to therapeutic contexts and practices. In <\/span>Sintomario<\/span><\/i> [<\/span>Symptomary<\/span><\/i>], a solo show created by the artist for the Museo Moderno, she presents a possible approach to the challenge of constructing a common experience between vulnerable and excluded people and those considered \u201cnormal\u201d by society due to their ability to adapt to the demands of contemporary life.<\/span><\/span>
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